The 10 Best drum mics for recording Our Picks

Features

• D6 FOR KICK DRUM: The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.
• I5 FOR SNARE: The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50Hz-16kHz and an ability to handle sound pressure levels in excess of 140dB, the i5 can be used for a wide variety of applications and for all genres of music.
• TWO D2S FOR TOMS: For bringing out the real, dynamic sound of your drum toms and congas, nothing beats (pun intended) the D2! The D2 accurately reproduces the warmth and punch you listen for from percussion, leaving out the muddy, indistinct "boom" that can mar recording. The D2's natural warmth also makes it a great mic for saxophones and other woodwinds requiring a true, sensitive, yet big, reproduction.
• D4 FOR FLOOR TOM: Make sure your sound's low-end has that propulsive kick! The D4 really puts that extra "oomph" in your kick drum, bass amp, and other low instruments thanks to its flat, linear response. Since this kit comes with the D6, Audix's premier kick drum mic, a good application for the D4 with this kit would be the floor tom.
• THREE ADX51S FOR OVERHEADS AND HI-HAT: The ADX51 is a pre-polarized condenser microphone designed to handle a wide variety of live, studio and broadcast applications. Characterized with a cardioid pickup pattern and a smooth uniform response over a frequency range of 40Hz-20kHz, the ADX51 is precision machined from solid brass with a low reflective black e-coat finish.